Las óleos de todo Adriaen Van Utrecht
ID Image  Painting (From A to Z)       Details 
28720  
Adriaen Van Utrecht, A Pantry
  		 A Pantry   mk61 1642 Oil on canvas 221x307cm
90929  
Adriaen Van Utrecht, A Still Life with Games and Vegetables
  		 A Still Life with Games and Vegetables   oil on canvas Dimensions 81.5 x 115.5 cm (32.1 x 45.5 in) cyf
51084  
Adriaen Van Utrecht, Fishmonger's Stall
  		 Fishmonger's Stall   Oil on canvas, 215 x298 cm
80445  
Adriaen Van Utrecht, Still Life
  		 Still Life   1644(1644) Medium Oil on canvas Dimensions 185 x 242.5 cm (72.8 x 95.5 in) cyf
27334  
Adriaen Van Utrecht, Still life of a basket of apples,grapes,plums,figs,gooseberries and redcurrants,together with a monkey,artichokes,celery,a melon,a pomegranate,a lemon
  		 Still life of a basket of apples,grapes,plums,figs,gooseberries and redcurrants,together with a monkey,artichokes,celery,a melon,a pomegranate,a lemon   mk56 oil on canvas
45452  
Adriaen Van Utrecht, The old fish market in Antwerp
  		 The old fish market in Antwerp   mk186 around 1630-40 Antwerp, Rubenshuis
51292  
Adriaen Van Utrecht, The Pantry
  		 The Pantry   1642 Oil on canvas, 221 x 307
81735  
Adriaen Van Utrecht, Vanitas - Still Life with Bouquet and Skull
  		 Vanitas - Still Life with Bouquet and Skull   Medium Oil on canvas Dimensions 67 x 86 cm (26.4 x 33.9 in) cjr
Adriaen Van Utrecht
Flemish Baroque Era Painter, 1599-1652 Flemish painter. He was apprenticed to Herman de Ryt in 1614 and later visited France, Italy and Germany before returning to Antwerp by 1625. He painted pantry scenes, farmyards with poultry, fish markets, game pieces, garlands and diverse still-lifes of fruit and vegetables. Game paintings are most frequent and reflect the influence of Frans Snyders. Adriaen adopted the same abundant displays of game, fruit and vegetables, usually set on a table parallel to the picture plane. Compositions typically fall in horizontal and vertical lines in contrast to the dynamic diagonals of Snyders. In large works, such as the Still-life with Game, Vegetables, Fruit and a Cockatoo (1650; Malibu, CA, Getty Mus.), Adriaen's accessories overflow the table on to the floor below. Baroque devices, such as a sweeping curtain and background window view, add movement and depth. Van Utrecht favoured warm earthen tones, especially grey-green, and a strong chiaroscuro light in his still-lifes; the latter may derive from his knowledge of Italian painting. The artist's style changed little during his career, save for the gradual elimination of figures in his paintings. The influence of Jan de Heem and Jan Fyt can also be seen in his later work.



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